MUSIC 434
History of Electroacoustic Music

Sources used in online text
     
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_____________. Le Corbusier: Architect of the Century. Arts Council of Great Britain, 1987.

_____________. Three Classics in the Aesthetic of Music. New York: Dover Publications, Inc., 1962.

_____________, "The Evolution of Recordings...From Cylinder to Video Disc," pamphlet published by the Audio Engineering Society, 1977.

Amdahl, Kenn. There Are No Electrons: Electronics for Earthlings. Broomfield, CO: Clearwater Publishing, 1991.

Appignanesi, Richard and Chris Garratt. Introducing Postmodernism. London, England: Icon Books UK, 1995.

Ballora, Mark. History and Current Developments in Stereophonic Audio. Master's thesis in Music Technology, New York University, 1995.

Becker, Carol and Ann Wiens, eds. The Artist in Society: Rights, Roles, and Responsibilities. Chicago, IL: New Art Examiner Press, 1995.

Borio, Gianmario. 'Nono, Luigi', The New Grove Dictionary of Music Online, http://www.grovemusic.com, ed. L. Macy.

Buxton, William. "Structured Sound Synthesis Project (SSSP) Videos." http://www.billbuxton.com/buxtonSSSPVideos.html.

Carlos, Wendy. www.wendycarlos.com. Source of information on a variety of topics including synthesis, sterophony, and microtonality.

Chadabe, Joel. Electric Sound: The Past and Promise of Electronic Music. Upper Saddle River, NJ: Prentice Hall, 1997.

Charles, Daniel. John Cage: Works for Percussion liner notes. Wergo WER 6203-2.

Chusid, Irwin, and Joachim Gurewitz. Liner notes for Soothing Sounds for Baby: Electronic Music by Raymond Scott. Reissued by BASTA Audio/Visuals, 1997.

Clarke, Michael. "Chapter 6: Jonathan Harvey's Mortuos Plango, Vovos Voco." In Analytical Methods of Electroacoustic Music, Mary Simoni, ed. New York: Routledge, Taylor & Frahcis Group, 2006.

Darter, Tom and Greg Armbruster. The Art of Electronic Music, New York, NY: GPI Books, 1984.

Doczi, Gyorgi. The Power of Limits: Proportional Harmonies in Nature, Art, and Architecture. Boston & Londin: Shambhala, 1994.

Dodge, Charles and Thomas A. Jerse. Computer Music: Synthesis, Composition, and Performance. New York: Schirmer Books, 1985, 1997.

Doornbusch, Paul. The Music of CSIRAC: Australia's First Computer Music. Australia: Common Ground Publishing, 2005.

Electronica primer http://phobos.plato.nl/e-primer/

Gann, Kyle. American Music in the Twentieth Century, New York, NY: Schirmer Books, 1997.

Giroux, Henry. Disturbing Pleasures: Learning Popular Culture, New York, NY: Routledge, 1994.

Glinsky, Albert. Theremin: Ether Music and Espionage. Champaign, IL: University of Illinois Press, 2000.

Gluck, Robert J. "The Columbia-Princeton Electronic Music Center: Educating International Composers." Computer Music Journal 31 (2) (2007).

Hawking, Stephen. A Brief History of Time. New York: Bantam Books, 1988, 1996.

Helmuth, Mara. "Chapter 8: Barry Truax's Riverrun." In Analytical Methods of Electroacoustic Music, Mary Simoni, ed. New York: Routledge, Taylor & Frahcis Group, 2006.

Holman, Tomlinson. "The History and Future of Surround Sound." Presentation given to the PSU Audio Engineering Society, April 15, 2005.

Information Theory at Lucent Technologies: http://www.lucent.com/minds/infotheory/what.html

Manning, Peter. Electronic and Computer Music. New York, NY: Oxford University Press, 2004.

Matossian, Nouritza. Xenakis, London : Kahn & Averill; New York : Taplinger, 1986.

McClary, Susan. Conventional Wisdom. Berkley, CA: University of California Press, 2000.

Meneghini, Matteo. "An Analysis of the Compositional Techniques in John Chowning's Stria." Computer Music Journal 31(3), Fall 2007.

Moore, F. Richard. Elements of Computer Music, Upper Saddle River, NJ: PTR Prentice Hall, 1990.

Neill, Ben. "Pleasure Beats: Rhythm and the Aesthetics of Current Electronic Music." Leonardo Music Journal 12 (2002).

Ouellette, Fernand. Edgard Varèse. Translated from the French by Derek Coltman. New York: Da Capo Press, 1968, 1981.

Pasler, Jann. "Postmodernism." The New Grove Dictionary of Music Online ed. L. Macy, (http://www.grovemusic.com).

Pinch, Trevor and Frank Trocco, Analog Days. Cambridge, MA: Harvard University Press, 2002.

Rowe, Robert. Interactive Music Systems. Cambridge, MA: MIT Press, 1993.

Rowe, Robert. Machine Musicianship. Cambridge, MA: MIT Press, 2001.

Smith, D.O. 'Berio, Luciano', Grove Music Online ed. L. Macy, (http://www.grovemusic.com).

Treib, Marc. Space Calculated in Seconds: The Philips Pavilion. Princeton, NJ: Princeton University Press, 1996.

Upton, Monroe. Electronics for Everyone, New York: Devin-Adair, 1957.

Xenakis, Iannis. Formalized Music, Bloomington, IN: Indiana University Press, 1971.

Vaughan, David. Merce Cunningham: Fifty Years. New York, NY: Aperture, 1997.

Wilkinson, Scott R. Tuning In: Microtonality in Electronic Music, Milwaukee, WI: Hal Leonard Books, 1988.

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