JONATHAN  P.  EBURNE

      

DEPARTMENT OF COMPARATIVE LITERATURE

The Pennsylvania State University

311 Burrowes Building

University Park, PA 16802 USA

 

DEPARTMENT OF ENGLISH

 The Pennsylvania State University

112 Burrowes Building

University Park, PA 16802 USA

 

E-mail: jpe11@psu.edu

Phone: 814.863.0589

Fax: 814.863.8882

 

ACADEMIC POSITIONS HELD

Fall 2005-     Josephine Berry Weiss Early Career Professor in the Humanities and Assistant Professor of

              Comparative Literature and English, The Pennsylvania State University

2004-2005        Postdoctoral Fellow, Center for Humanistic Inquiry, Emory University

2003-2004         Lecturer, Department of English, The Pennsylvania State University

2002-2003         Lecturer, Department of English , University of Tennessee

EDUCATION

1995-2002         University of Pennsylvania, Ph.D. in Comparative Literature and Literary Theory

1989-1993         Dartmouth College, A.B. in High Honors English and French, Magna Cum Laude             

PUBLICATIONS

Book

Surrealism and the Art of Crime (Forthcoming from Cornell University Press in Fall 2008).

Journal Issues

 

Contemporary Vanguard Cultures (in preparation).

 

Special Issue Co-Editor, with Jeremy Braddock, Paris, Modern Fiction, and the Black Atlantic Modern Fiction Studies 51:4 (Winter 2005).

 

Journal Articles

  Adoptive Affinities: Josephine Bakers Humanist International S&F Online, ed. Kaiama Glover. Double Issue: 6.2-6.2: Fall 2007/Spring 2008. 

Anti-Humanism and Terror: Surrealism, Theory, and the Postwar Left Yale French Studies 109 (2006), 39-51.

Paris, Capital of the Black Atlantic, Introduction to Paris, Modern Fiction, and the Black Atlantic, with Jeremy Braddock.  Modern Fiction Studies 51:4 (Winter 2005), 731-740.

The Transatlantic Mysteries of Paris: Chester Himes, Surrealism, and the Srie Noire, PMLA (May 2005), 806-821..

Violette Nozires et la rcriture alchimique du viol, Pleine Marge 40 (December 2004), 61-77.

Chandlers Waste Land, Studies in the Novel 35: 3 (Fall 2003), 366-382.. Special issue on Raymond Chandler.

That Obscure Object of Revolt: Heraclitus, Surrealisms Lightning-Conductor, Symploke 8: 1-2 (Spring 2000), 180-204. [appeared 2001].

Trafficking in the Void: The Consumption of Otherness in the Beat Generation.  Modern Fiction Studies 43:1 (Spring 1997), 53-92.

 

Book Chapters and Other Contributions

Misre de la pornographie: Du surralisme lՎcriture fminine. Plaisir, souffrance et sublimation, ed. Jean-Michel Devesa. Bordeaux: Pleine Page (2008).

Assistant Editor, with Mary Ann Caws, Surrealism, Themes and Movements (London: Phaidon, 2004).

Locked Room, Bloody Chamber, Surrealism: Crossings/Frontiers, ed. Elza Adamowitz (Berlin: Peter Lang,  2006), 133-150.

On Murder, Considered As One of the Surrealist Arts: Robert Desnos in the Shadow of Jack the Ripper, Surrealism in the New Century: Celebrating Robert Desnos, eds. Marie-Claire Barnet and Eric Robertson (Dublin: Philomel Press, 2006), 187-202.

Entries on Chester Himes, Marcel Duhamel, Philippe Soupault, and Benjamin Pret in Enclyclopedia of the French Atlantic, ed. Bill Marshall (Oxford: ABC-Clio, 2005).

Surrealism Noir, Surrealism, Politics, and Culture, eds. Raymond Spiteri and Donald LaCoss (Burlington, VT: Ashgate Press, 2003), 91-110.

The Cheerless Art of Industry: Marcel Duchamp and the Smithee Readymade, Directed By Allen Smithee, eds. Jeremy Braddock and Stephen Hock, (Minneapolis: Univ. of Minnesota Press, 2001), 229-247.

Reviews and Review Essays

Review of Michael Sheringham, Everyday Life: Theories and Practices from Surrealism to the Present. Oxford: Oxford UP, 2006.  In CLS: Comparative Literature Studies (45:3) (forthcoming).

 

Review of Willard Bohn, Marvelous Encounters: Surrealist Responses to Film, Art, Poetry, and Architecture.  Lewisburg: Bucknell University Press, 2005.  In The French Review (forthcoming).

 

Review of Caroline Rupprecht. Subject to Delusions: Narcissism, Modernism, Gender. Evanston: Northwestern UP, 2006. In German Quarterly 80:4 ((Fall 2007) 556-558.

 

Review of Dafydd Jones, ed. Dada Culture: Critical Texts on the Avant-Garde. Avant-Garde Critical Studies, v. 18.  Amsterdam and New York: Rodopi, 2006.  In Symploke 14:1-2 (2006, appeared 2007): 344-346.

 

Review of John Cullen Gruesser, Confluences: Postcolonialism, African American Literature Studies, and the Black Atlantic (Georgia UP, 2005) in Modern Fiction Studies 52:3 (2006), 748-752.

 

Review of Susan Aberth, Leonora Carrington: Surrealism, Alchemy, and Art (Lund Humphries, 2004) in Papers of Surrealism 5 (Spring 2005).

 

 Object Lessons: Surrealist Art, Surrealist Politics, Review Essay: Steven Harris, Surrealist Art and Thought in the 1930s: Art, Politics, and the Psyche; Johanna Malt, Obscure Objects of Desire: Surrealism, Fetishism, and Politics; David Bate, Photography and Surrealism: Sexuality, Colonialism, and Social Dissent; and Jean Clair, Du surralisme considr dans ses rapports au totalitarianisme et aux tables tournantes. Contribution une histoire de l'insens. in Modernism/modernity12.1 (2005) 175-181.-

The Edges of Surrealism, Review essay: Katharine Conley, Robert Desnos, Surrealism, and the Marvelous in Everyday Life; Claudine Frank, ed., The Edge of Surrealism: A Roger Caillois Reader; and Eric Zafran, Surrealism and Modernism.  Journal of Modern Literature 26: 3/4, Spring 2004.

Review essay, Dalia Judovitz, Unpacking Duchamp: Art in Transit; and David Joselit, Infinite Regress: Marcel Duchamp 1910-1941. Other Voices, v.1, n.2 (September 1998).

TRANSLATIONS

  Robert Desnos, The Third Manifesto of Surrealism, A Description of the Next Revolt, and Modern Imagery, The Essential Writings of Robert Desnos, ed. Mary Ann Caws. Boston: Black Widow Press (2008), 58-73.

  Michel Fabre, Ren, Louis, and Lopold: Senghorian Negritude as a Black Humanism, with Randall Cherry.  Modern Fiction Studies 51:4 (Winter 2005).

  Louis Aragon, A Note on Freedom (1925); Ren Char, Untitled [Violette Nozires] (1933); Ren Crevel,  Response to an Inquiry on Suicide (1925) and Notes toward a Psycho-Dialectic (1933); Maurice Heine, An Open Letter to Luis Buuel" (1931); Andr Masson, The Tyrrany of Time (1926); Pierre Naville, Fine Arts (1925); Benjamin Pret, Untitled [Violette Nozires] (1933).  In Surrealism, ed. Mary Ann Caws (London: Phaidon Press, 2004).

 

FELLOWSHIPS AND AWARDS

Comparative Literature Faculty Teaching Award, 2008.

PSU Institute for Arts and Humanities, Interdisciplinary Reading Group grant for The Future of Arts Journalism, with Gabeba Baderoon and Dorn Hetzel.

NEH Summer Seminar, Modernist Paris, July 2006

PSU Institute for Arts and Humanities, Teaching Across the Disciplines grant for team-taught course, with Jennifer Boittin, Tom Hale, and Pius Adesanmi, 2006.

Josephine Berry Weiss Early Career Professorship in the Humanities, Penn State University 2005-

Short-term Research Fellowship, Harry Ransom Center, 2005

Postdoctoral Fellowship, Center for Humanistic Inquiry, Emory University, 2004-5.

Andrew W. Mellon Postdoctoral Fellowship, Rice University, 2004-6 (declined).

William Penn Fellowship, University of Pennsylvania, 1995 (1996-97 declined) and 2001.

University Fellowship, University of Pennsylvania, 2000.

Bourse Chateaubriand for dissertation research in France, 1999.

French Institute for Culture and Technology Travel Fellowship, 1999 & 2001.

Dolores Zohrab Liebmann Fellowship for Graduate Study, 1996, 1997, 1998.

SESSIONS ORGANIZED AND PANELS CHAIRED

Seminar co-organizer, Geographical Identities 20th/21st C. French/Francophone Studies Conf., 2008.

Seminar co-organizer and co-chair, with Katherine Conley, 2007 ACLA: Maps, Transnationalism, and the Material Text.

Panel co-organizer, with Lisi Schoenbach, 2006 MSA: Progressivist Histories and the Ethics of Institutional Change.

Seminar co-organizer, with Janine Mileaf, 2005 MSA: The Avant-Garde and its Object.

Seminar organizer and chair, 2005 ACLA: The Use-Value of the Avant-Garde.

Special session organizer, 2004 MLA: Paranoia, Theory, Paranoia.

Panel co-organizer, with Laurie Monahan, 2004 MSA: Violence and the Event.

Chair and organizer, special session, 2003 MLA: Surrealism and the Sadean Woman.

Chair and panel organizer, 2003 American Studies Association: Strikers, Communists, and Detectives.

Panel co-organizer, with Jeremy Braddock, 2002 MSA: Paris, Capital of the Black Atlantic

Panel organizer, double session, 2000 MSA: The Surrealist Intervention I and II.

Participated in  7-day colloquium, Robert Desnos pour lan 2000, Crisy-la-Salle, France, July 2000.

Co-organized two interdisciplinary conferences at the University of Pennsylvania:  Specters of Legitimacy: A Retrospective and Conference on the Films of Allen Smithee (Fall 1998), and Body Parts/ Partial Bodies, An Interdisciplinary Conference (Spring 1997).

 

TEACHING AND RESEARCH INTERESTS

Modernism; Literary Theory; Surrealism and the Avant-Garde; American Literature since 1865; Crime Fiction and Film; Transatlantic Studies of Literary and Cultural Exchange.

 

ACADEMIC SERVICE AND ACTIVITIES

Planning committee, Association for the Study of the Arts of the Present (A.S.A.P) (2007-).

Coordinator of weekly Comparative Literature luncheon lecture series (2005- ); co-organizer-Fall 2005.

Graduate Committee, Dept. of Comparative Literature (2006-)

Policy Committee, Dept. of Comparative Literature (2007-)

Junior job placement advisor (English and Comparative Literature) (2005-7).

Participant in monthly theory reading group (2005- ).

 

 

 

Return to homepage- Jonathan Eburne, 2008