CAS 415 | Summer 2006 | Rome | Professor Thomas W. Benson The Rhetoric of Film - Italian Cinema - Neorealism Near the close of World War II, while their country was still a battleground, with the German army gradually being driven North by the slowly advancing Allied armies, Italian filmmakers developed a new style of filmmaking that came to be called Neorealism. This course will examine some of the foundational works of Neorealism and trace its influence on some later Italian films. |
Program notes for the films will be provided online, along with some optional readings. We will see the films together, then meet for discussion of the films. Students will write about the films as part of their ongoing travel journals, and we will visit some of the sites depicted in the films. links - ANGEL | INTERNET MOVIE DATABASE | LIAS | e-mail Professor Benson | Professor Benson home page | films you might want to see before going to Rome | optional reading -
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| week 1 |
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Rome: Open City Roma, città aperta (1945) Director - Roberto Rossellini
The Battle of San Pietro (1945) Director - John Huston |
| week 2 | ![]() |
The Bicycle Thief Ladri di biciclette (1948) Director - Vittorio De Sica
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| week 3 | ![]() |
Shoeshine Sciuscià (1946) Director - Vittorio De Sica
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| week 4 | ![]() |
The White Sheik Lo Sceicco bianco (1952)
Director - Federico Fellini
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| week 5 | ![]() |
Umberto D (1952)
Director - Vittorio De Sica
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| week 6 | ![]() |
Mamma Roma (1962) Director - Pier Paolo Pasolini
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