Chapter 1
Empathetic response
Imagination
Readers Theatre
Chapter 2
Continuum
Conventional Theatre
Dialogue
Double Entendre
Excitability
Identity
Layman
Lectern
Offstage Focus
Onstage Focus
Overt
Plasticity
Stage Trappings
Symbolic
Voicing
Chapter 3
Acoustic Space
Behavioral Synecdoche
Fourth Wall
Illusion of Reality
Localized Space
Picture Overlay
Presentational
Representational
Theatrical Conventions
Chapter 4
Alliteration
Antagonist
Anthology
Assonance
Camaraderie
Climax
Covert
Evocative
Genre
Images
Metaphor
Onomatopoeia
Overt
Personification
Philosophical
Plot
Protagonist
Psychological
Rhythm
Simile
Sound Devices
Chapter 5
Analysis
Connotative
Denotative
Egocentricity
Flashback
Irony
Mood
Omniscient
Personae
Point of View
Setting
Style
Subtlety
Theme
Chapter 6
Bridge
Close-up Scenes
Cohesiveness
Dialogue Tag
Guidelines
Transitions
Chapter 7
Ad-lib
Bifurcation
Discourse
Downstage
Floor Plan
Indirect Dialogue
Production Concept
Stage Cross
Stage Left
Stage Right
Upstage
Chapter 8
Certainties
Distortion
Pick Up Cues
Possibilities
Probabilities
Chapter 9
Chorus
Contrapuntal
Counterpoint
Criterion
Echo
Ensemble
Harmony
Interpolation
Juxtapose
Orchestration
Round
Tone Color
Unison
Voice Overlay
Chapter 10
Assemblage
Collage
Compilation
Dramatic Mode
Epic Mode
Epitomize
Format
Lyric Mode
Mode
Motif
Piece de Resistance
Chapter 11
Articulation
Circumflex
Coalesce
Congruence
Diaphragmatic Breathing
Duration
Enunciation
Inflection
Nuance
Pitch
Projection
Quality
Rate
Volume
Chapter 12
Animation
Conceptalize
Imagery
Nurture
Objective Correlative
Vivify
Chapter 13
Causation
Emphasis
Phrasing
Subordination
Chapter 14
Bonding
Covert
Essence
Kinesics
Motivation
Muscular Tonus
Overt
Pantomime
Subtext
Chapter 15
Audience Focus
Aesthetic
Analogy
Apex
Asymmetrical
Augment
Blocking
Downstage
Floor Plan
Freeze
Frugality
Levels
Locale
Metaphor
Picturization
Production Concept
Props
Stage Left
Stage Right
Symmetrical
Upstage
Chapter 16 - Completing the Production Concept
A Cappella
Abstraction
Batten
Cross Fading
Cutout Flats
Dimmers
Drop
Pinspot
Projections
Scrim
Strobe Lights
Trappings
Chapter 17 - Producing the Script
Auditions
Break Character
Company Call
Curtain Call
Illusion of the First Time
Mouth Lines
Patron
"Places"
Run-Through
Spike
Strike
Type Casting
See Appendix A, p. 153, for definitions you can't locate.
Tech manual:
primary light source
secondary light source
"warm" and "cold" lights
"pre-set" light board
basic principle of lighting and sound
fresnel lights
ellipsoidal lights
"kicker" light
no. of channels & lights in a power pack
no. of cables attached to power pack