Study Guide for SPCOM 380 Final
Revised 11-5-01


Ch. 8
- Types of Words
- New Ideas/Old Ideas
- Assertion/Implication
- Repetition for Emphasis
- Contrasts, Comparisons, Parallels, Words in Balance
- Causal and Conditional Relationships
- Climax
- Structural Emphasis
Ch. 9
- Rate, Duration, Pause, Rhythm
- Written Punctuation vs. Oral Punctuation
- Emphasis by Pausing
Ch. 10
- Abdominal Control of Exhalation
- Projecting
- Emphasis
Ch. 11
- Habitual Pitch
- Optimum Pitch
- Levels of Pitch
- Pitch and Persona
Ch. 12
- Vocal Resonance
- Breathy Quality
- Throaty Quality
- Hollow Quality
- Nasal Quality
- Denasal Quality
- Oral Quality
- Falsetto
- Tremulus
Ch. 13
- Distinguishing "Time" feature of narrative
- Three ways to classify point of view: attitude, scope, & person
- Commentary
- Summary
- Dialogue
- Tag Lines
- Direct Discourse
- Indirect Discourse
- Soliloquy
- Description
Lecture - Performance of Drama
- setting: how handled for drama?
- physical reaction to previous speaker
- focus - illusion of seeing
- timing - illusion of thought through variety
- placement of characters - how widely separated?
Lecture - Performance of Narrative
- Point of View
- Key Role of Narrator as Storyteller
- Episodic Structure
- Characters
- Descriptive Details
Ch. 14
- Blank Verse
- Free Verse
- Metaphor
- Simile
- Apostrophe
- Personification
- Hyperbole
- Metonymy
- Synecdoche
- Onomatopoeia
- Alliteration
Ch. 15
- Major ways of "Studying the Play"
- What to do with stage directions--"Exit, stage left"
- How characters interact
- Keeping it moving
Ch. 16
- Readers Theatre vs. Chamber Theatre
- Choral Reading
- Use of Script in Readers Theatre vs. Chamber Theatre

