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ENGL 104 - The Bible As Literature

Section 1 (3 credits) ~~ Spring 2009
PDF COPY OF SYLLABUS

 

"Of these things put them in remembrance, charging them before the Lord that they strive not about words to no profit, but to the subverting of the hearers.  Study to shew theyself approved unto God, a workman that needeth not to be ashamed, rightly dividing the word of truth."

~ 2 Timothy 2:14-15 (King James Version)

Dr. Sandra L. Staton-Taiwo
E-mail: sls63@psu.edu
Phone: (717) 771-4156
Office: 219 ISTC
Office Hours:
  • I am always available by appointment, and I do schedule mandatory meetings during the semester. Otherwise, my scheduled hours for this Fall 2008 semester are as follows:
    • Tuesday/Thursday  1:00 PM - 2:00 PM
    • Wednesday  11:00 AM - 12:00 PM
To skip to a particular section,
select any of the following links.

Course Description Course Expectations Course Objectives
Course Materials Course Schedule Course Policies
Course Statements Assignment Details Grade Criteria


COURSE DESCRIPTION

Class Meeting Time

Tuesday/Thursday

112 MAIN

9:20 - 10:35 PM

SECTION 1

In case of a two-hour delay, refer to the snow schedule: http://www2.yk.psu.edu/currentstudents/snowsched.shtml

Description

(GH) The Bible as Literature (3) Study of the English Bible as a literary and cultural document .


Purpose

  • This class will acquaint students with the literature of the Bible, particularly in the King James translation, the translation that has been most influential in the English-speaking world.

Required Assignments

Attendance Points

10%

Participation Points 10%

*Quizzes

20%

Critical Analysis (3-5 pages)  =750-1250 words

STUDENT EXAMPLE #1 / STUDENT EXAMPLE #2

20%

Recitation Presentation of a Psalm (2%) with written synopsis (8%) (1-2 pages) 10%

MID-TERM essay exam 

10%    

FINAL essay exam

10%    

Choose Any One (1) of the following options

   

  1. Character analysis --presentation (2%) & written (8%)(1-2 pages)  (10%) STUDENT EXAMPLE
  2. Poetry Response Journal (10 poems)  (10%)
  3. Terms & Topics Analysis--presentation (2%) and written (8%) (1-2 pages)

   


*The lowest quiz grades will be dropped. There will be no makeup quizzes.

COURSE EXPECTATIONS

 

Expectations

What you can expect of me:
  • to help facilitate your learning experience
  • to speak clear enough and slow enough for you to understand the lessons, the assignments, and the expectations for the class
  • to adhere to the syllabus and the assignments and expectations detailed on it--HOWEVER, I reserve the right to make changes to the syllabus as needed, but I will provide ample notice in class of changes to be made
  • to answer any question you may have until you have the answer you need
  • to respect you and your needs and to treat all students equally and fairly
  • to provide opportunities for you to display your maturity and competence as an adult
  • to be respectful to each person in the classroom environment

What I expect of you:

  • to take responsibility for your learning experience
  • to come to class and participate
  • to complete required assignments or accept the consequences
  • to complete assignments in a manner that showcases your best self
  • to know due dates and assignments listed in the syllabus and announced in class
  • to communicate to me any issues that you may have with the class or with any expectations BEFORE the end of the semester
  • to know that I have office hours outside of class if you need extra help
  • to be respectful to each person in the classroom environment
 
COURSE OBJECTIVES
  • To examine the language, thought, images, and structures of the book that has arguably proved the central text of Western literature.
  • To actively explore the ways in which the Bible has shaped the literature of English-speaking cultures.
  • To read substantial portions of the Old and New Testaments, including
  • selections from the histories and the prophets
  • the Book of Genesis, the Book of Job,  the Book of Psalms, the Gospels,  the Book of Revelation.
  • To  read the Bible critically and interpret the book as one would any other literary text.
  • To learn about the historical construction of the Bible and contemplate the competing versions of existing Biblical texts.
  • To complete at least three writing assignments drawn from the following kinds of writing:  essay, essay exam, and semester-long reading journal
  • To prepare for additional college-level literature courses by developing the analytical skills necessary to analyze complex written texts.
  • To provide the opportunity to use primary and secondary sources in
  • supporting original arguments and analyses in a variety of ways:
    • as a point of departure
    • as theoretical grounding
    • as historical background 
    • as evidence 
  • To provide opportunities for you to gain confidence in
  • oral communication using the following criteria:
    • An introduction that gets attention and makes the topic clear.
    • A body that develops ideas adequately, makes the message clear, and uses transitional words, phrases, etc.
    • A conclusion that includes a summary or a statement of motivation and that clarifies the speaker’s position.
    • Quality audio-visual aids that are used appropriately.
    • Posture, gestures, eye contact, and emphasis that are appropriate.
    COURSE MATERIALS

    Required Text

    • Gabel, John B., Charles B. Wheeler, Anthony D. York, and David Citino. The Bible as Literature.  New York: Oxford U. P., 2006.

    Other Requirements


    COURSE SCHEDULE

    BALThe Bible as Literature: An Introduction

    DO = We'll / You'll "DO" it in class     |    DUE = You'll submit it in the ANGEL drop box by Midnight 

    DATES

    Topic & Reading Assignments

    Writing/Speaking Assignments

    January
    13, 15

    TERMS & TOPICS:  close reading; imagery, original sin, love

    FEATURED CHARACTERS & BOOKS:   Adam and Eve, virgin Mary

    TUESDAY: Focus: BAL: (1-14) Chapter 1: "The Bible as Literature" (Introduction & class notes) 

    Song of Solomon in-class reading & discussion  
    Song of Solomon 1-8; 
    Psalms 1 (
    imagery); 
    Matthew  1-4 (
    Three temptations); 
    Proverbs 1

    THURSDAY:  Focus: BAL: (15-24) Chapter 2: "Literary Forms and Strategies in the Bible"  
    Genesis 1-5
    (Three temptations);
    Psalms 2-5 (
    structure);
    Matthew  5-9 (
    attitudes);
    Proverbs 2

    Tuesday:  DO: Love Song Memories

    Thursday: DO:  Reflection journal entry as QUIZ grade

    January
    20, 22

    TERMS & TOPICS:  authorial voice; allegory, character, epic

    FEATURED CHARACTERS & BOOKS:   Noah, Jesus, John the Baptist

    TUESDAY: Focus: BAL: (25-41) Chapter 2: "Literary Forms and Strategies in the Bible"  
    Genesis 6-10 (epic); 
    Psalms 6-9 (
    elegy vs eulogy); 
    Matthew  10-12 (
    doctrine); 
    Proverbs 3

    THURSDAY:  Focus: BAL: (42-60) Chapter 3: "Ancient Near Eastern Literature and the Bible"  
    Genesis 11-15 (covenants);
    Psalms 10-15 (
    character);
    Matthew  13-14 (
    parables & miracles);
    Proverbs 4

    Tuesday:  DUE:  Nothing REQUIRED

    Thursday: DO: Announced Syllabus Quiz

    January
    27, 29

    TERMS & TOPICS: symbol, historic vs historical, setting

    FEATURED CHARACTERS & BOOKS:   Abraham & Sarah, Lot, Peter, Scribes, Pharisees, Sadducees

    TUESDAY: Focus: BAL: (61-72) Chapter 4: "The Bible and History"  
    Genesis 16-20 (siblings); 
    Psalms 16-20 (
    hope vs faith); 
    Matthew  15-19 (
    Pharisees & Sadducees); 
    Proverbs 5

    THURSDAY:  Focus: BAL: (73-90) Chapter 5: "The Physical Setting of the Bible"  
    Genesis 21-24 (fate vs determination);
    Psalms 21-25 (
    joy & suffering);
    Matthew  20-23 (
    parables & miracles);
    Proverbs 6

    Tuesday:  DUE:  Nothing REQUIRED

    Thursday: DUE:  Nothing REQUIRED


    February
    3, 5

    TERMS & TOPICS: Deism, hermeneutics, enlightenment

    FEATURED CHARACTERS & BOOKS:   Abraham & Keturah, Lot, Isaac & Rebecca, Abimelech, Judas Iscariot, Satan

    TUESDAY: Focus: BAL: (91-105) Chapter 6: "The Formation of the Canon"  
    Genesis 25-28 (apathy); 
    Psalms 26-30 (
    exuberance); 
    Matthew  24-26 (
    prophecy); 
    Proverbs 7

    THURSDAY:  Focus: BAL: (106-120) Chapter 7: "The Composition of the Pentateuch"  
    Genesis 29-36 (arranged marriages);
    Psalms 31-35 (
    justice vs mercy);
    Matthew  27-28 (
    resurrection);
    Proverbs 8

    Tuesday:  DUE:  Nothing REQUIRED

    Thursday:  DUE:  Nothing REQUIRED

    February
    10, 12

    TERMS & TOPICS: ideology, crucifixion, parousia

    FEATURED CHARACTERS & BOOKS:   Joseph, Reuben, Judah, Potiphar, John the Baptist, Judas Iscariot, Pilate, Jesus, virgin Mary, Elizabeth, Anna, John the Baptist, Jesus, Satan

    TUESDAY: Focus: BAL: (224-244) Chapter 14: "The Gospels"  
    Genesis 37-45 (fatalism); 
    Psalms 36-41 (
    righteousness vs wickedness); 
    Mark  1-16 (
    first gospel?); 
    Proverbs 9

    THURSDAY:  Focus: BAL: (121-133) Chapter 8: "The Prophetic Writings"  Isaiah 8-11, 24; Jeremiah 1-5; 38-44; Lamentations 1-5

    Genesis 46-50 (determinism);
    Psalms 42-52 (
    judgment);
    Luke 1-24 (
    synoptic);
    Proverbs 10 

    Tuesday:  DUE:  Nothing REQUIRED

    Thursday: DUE:  Nothing REQUIRED

    February
    17, 19

    TERMS & TOPICS: other-mothering

    FEATURED CHARACTERS & BOOKS:   Moses, Aaron, Miriam, Jesus, "Lamb of God"

    Tuesday: Focus: BAL: (245-267) Chapter 15: "Acts and the Letters"  
    Exodus 1-12 (Moses & Pharaoh); 
    Psalms 53-60 (
    Restoration); 
    John 1-21 (
    Greek love); 
    Proverbs 11

    THURSDAY:  Focus: BAL: (134-151) Chapter 9: "The Wisdom Literature"  
    Exodus 13-24 (Moses & the Wilderness);
    Ecclesiastes 1-12;
    Psalms 61-66 (salvation);
    Acts  1-14 (
    Luke 2?);
    Proverbs 12

    Tuesday: DUE:  Nothing REQUIRED 

    Thursday: DUE:  Nothing REQUIRED 


    February
    24, 26

    TERMS & TOPICS: apocalyptic, patriarchal

    FEATURED CHARACTERS & BOOKS:   Moses, Ezekial, Jeremiah, Paul

    TUESDAY: Focus: BAL: (268-281) Chapter 16: "The Text of the Bible"  
    Exodus 32-36, Leviticus 25-27  (Jubilee); 
    Psalms 67-72 (
    theme for "Book 2"); 
    Acts 14-28 (
    Martyrdom); 
    Proverbs 13

    THURSDAY:  Focus: BAL: (152-168) Chapter 10: "The Apocalyptic Literature"  
    Numbers 9-24 (symbolism & prophecy); ; Lamentations 1-5, Ezekial 1-3; 37-39
    Psalms 73-81 (theme for "Book 3");
    Romans 1-5 (
    grace vs law);
    Proverbs 14

    Tuesday:  DUE:  Nothing REQUIRED

    Thursday: RECITATION!  Psalms 43 (Conway)


    March
    3, 5

    TERMS & TOPICS: Paradox,  

    FEATURED CHARACTERS & BOOKS:   Moses, Joshua, Paul

    TUESDAY: Focus: BAL: (282-294) Chapter 17: "Translating the Bible"  
    Deuteronomy 15-31, 34 (blessings and curses); 
    Psalms 82-89 (
    oppression & redemption); 
    Romans 6-10 (
    "gospel"); 
    Proverbs 15

    THURSDAY:  Focus: BAL(295-305) Chapter 17: "Translating the Bible"  
    Joshua 1-15, 20, 23-24 (inheritance);
    Psalms 90-94 (
    eternity);
    Romans 11-16 (
    spiritual gifts);
    Proverbs 16

     Tuesday: DUE:  Nothing REQUIRED

    Thursday: DUE:  Nothing REQUIRED

    DUE:  Potential Critical Paper

    March  10, 12


    SPRING BREAK!

    March 17, 19

    TERMS & TOPICS: verbal irony, dramatic irony

    FEATURED CHARACTERS & BOOKS:   Gideon, Samson & Delilah, Ruth

    TUESDAY: Focus: BAL: (61-72) Chapter 4: "The Bible and History"  
    Judges 1-12 ("Parable of the Trees"); 
    Psalms 94-99 (
    worship vs praise); 
    I Corinthians (
    transgression & sin); 
    Proverbs 17

    THURSDAY:  Focus:
    Judges 13-21, Ruth (Samson & Delilah);
    Psalms 100-106 (
    theme for "Book 4");
    II Corinthians (
    Sectarianism);
    Proverbs 18

    Tuesday:  Character Gideon (Leonard)

    Thursday: DUE:  Mid-Term Test Deadline
     


    March 24, 26

    TERMS & TOPICS: couplet, diatribe, papyrus

    FEATURED CHARACTERS & BOOKS:   Hannah, Eli, Samuel, Jonathan, King Agag, David, Goliath

    TUESDAY: Focus: BAL: (359-364) Appendix 1: "The Name of Israel's God"  
    I Samuel 1-10 (Samuel & Saul); 
    Psalms 107-110 (
    hope vs faith); 
    Galatians & Ephesians (
    justification & redemption); 
    Proverbs 19

    THURSDAY:  Focus: BAL: (364-372) Appendix 2: "Writing in Biblical Times"  
    I Samuel 11-19 (David & Goliath);
    Psalms 111-115 (
    diatribe);
    Philippians & Colossians (
    preeminence);
    Proverbs 20

    Tuesday:  DUE:  Nothing REQUIRED

    Thursday: PRESENTATION:  Character David & Goliath (Conway)


    March 31, April 2

    TERMS & TOPICS: American Dream, cultural anachronism

    FEATURED CHARACTERS & BOOKS:   David, wife of Nebal, Saul, Nathan, Abner, Joab, Mephibosheth, Bathsheba, Uriah, Solomon, Timothy

    TUESDAY: Focus: 
    I Samuel 20-31 (witchcraft & sorcery); 
    Psalms 116-118 (
    chastisement); 
    I & II Thessalonians (
    judgment & apostasy);
    Proverbs 21

    THURSDAY:  Focus:
    II Samuel 1-12 (fornication);
    Psalms 119:1-32 (
    Aleph, Beth, Gimel, & Daleth);
    I, II Timothy (
    "end times");
    Proverbs 22

    Tuesday:  DUE:  Nothing REQUIRED

    Thursday: DUE:  Nothing REQUIRED  


    April 7, 9

    TERMS & TOPICS: pre-encounter/encounter, elegy

    FEATURED CHARACTERS & BOOKS:   Amnon & Tamar, Absalom, Shimei, Adonijah, Solomon, Queen of Sheba, Elijah, Jezebel, Ahab, Elisha, Jehoshaphat

    TUESDAY: Focus: 
    II Samuel 13-24 (rape & murder); 
    Psalms 119:33-64 (He, Waw, Zayin, & Heth)
    Titus, Philemon, Hebrews 1-5 (
    Dissension); 
    Proverbs 23

    THURSDAY:  Focus:
    I Kings 1-22 (murder vs punishment);
    Psalms 119: 65-96 (
    Zeth, Yod, Japh, & Lamed);
    Hebrew  6-13 (
    animal sacrifices);
    Proverbs 24

    Tuesday:  DUE:  Nothing REQUIRED

    Thursday:   DUE:  Nothing REQUIRED


    April 14, 16

    TERMS & TOPICS: captivity narrative, narrative (Daniel Mininger)

    FEATURED CHARACTERS & BOOKS:   Elisha, Moab, Naaman, Hezekiah, Isaiah, James, Peter, John

    TUESDAY: Focus: 
    II Kings 1-25 (captivity) 
    Psalms 119:  97-144 (
    Mem (Daniel Mininger), Nun, Samek, Ayin, Pe, & Tsadde)
    James, I & II Peter (
    trials);
    Proverbs 25

    THURSDAY:  Focus:
    I Chronicles 13-22, 28-29 (Davidic Covenant);
    Psalms 119: 145-176 (
    Qoph, Resh, Shin, & Tau);
    I, II, III John, Jude (
    parables & miracles);
    Proverbs 26

    Tuesday:  DUE:  Nothing REQUIRED

    Thursday:   DUE:  Nothing REQUIRED

    April 21, 23

    TERMS & TOPICS: cultural criticism, humanism (Kayley Shaver)

    FEATURED CHARACTERS & BOOKS:   Elisha, Moab, Naaman, Hezekiah, Ezra, Nehemiah, Isaiah, Daniel,  "Lion of Judah"

    TUESDAY: Focus: BAL: (381-387) Appendix 4: "Varieties of Biblical Criticism"
    II Chronicles 1-10 (wisdom); 
    Psalms 120-125 (congregation); Daniel 1-12; 


    Revelations 1-5 ("lamb" of God); 
    Proverbs 27

    THURSDAY:  Focus:
    Ezra & Nehemiah (temple and wall restoration);
    Psalms 126-133 (
    Zion); Isaiah 50-51; 59-62;
    Revelation 6-10 (
    seals)
    Proverbs 28

    Tuesday:  

    (Eileen Valerio: 119:65-72)

    (Stephanie Flynn: Psalm 120); (Krieg Psalm 121)

    Thursday:   DUE:  Nothing REQUIRED

    (ALEXANDRO ESCOBAR: Psalm 91)

    April 28, 30

    TERMS & TOPICS: canon, intertestamental

    FEATURED CHARACTERS & BOOKS:   Esther, Job, "Lion of Judah," "Lamb of God"

    TUESDAY: Focus: BAL: (373-380) Appendix 3: "Palestine in the Intertestamental Period"
    Esther & Job (secular); 
    Psalms 134-140 (
    sovereign knowledge); Hosea 1-14; 
    Revelation 11-15 (
    Angels); 
    Proverbs 29

    THURSDAY:  Focus:  
    Major & Minor prophets (fate vs determination)Joel 1-3; Amos 1-3, 9; Obadiah, Jonah 1-4; Micah 1-7; Nahum 1-3; Habakkuk 1-3; Zephaniah 1-3; Haggai 1-2; Zechariah 1, 9-12; Malachi 1-4;
    Psalms 141-150 (
    song & psalmistry); 

    Revelation 16-22 (Babylon); Isaiah 47  
    Proverbs 30

    Tuesday: DO:  End-Term Evaluations

     PRESENTATION:  Character Esther (Krieg); Character Mary Magdalene (Valerio); Miller (Psalms 127);  Saunders (Terms/topic)

    Thursday: 

    PRESENTATION: Character Job (Brough);

    (Kayley Shaver: Psalm 142); (Jessica Saunders: Psalm 123); Micah Leonard: Psalm 113); (Matthew Bieber: Character Ezra)

    DUE:  Potential Critical Paper

    Note: The schedule details readings as well as assignments to be completed for class.  Readings should be completed prior to the day of class, for scheduled readings will be discussed in class on the day that it is listed on the schedule.  If you have any questions regarding any requirements, please visit me during office hours and/or email me via ANGEL.  You can copy your ANGEL email to my general Penn State account, but use your ANGEL account to send your message.


    COURSE POLICIES

    Attendance and Assignment Submission

    In fairness to students who overcome obstacles and submit work on time, I will not accept late work.  HOWEVER, in order to encourage students to attend class in lieu of skipping class to finish the assignmentI consider work late when it is not submitted before midnight on the day that the assignment is due. This time allowance permits students to finish all classes for the day and deal with any computer/printer/human problems after class/work/remedies.   In fairness to students who take an earlier class, all classes are privy to the same rule.  Early submissions are always welcome.  Any assignments that are NOT completed during class time should be submitted via the assignment's drop box on ANGEL.  I prefer the ANGEL drop box for two reasons:  1) emailed assignments often are lost and/or sent to my junk box.  2) the Angel drop box will record the exact time of submission and will insure fairness and equality for all students.

    GRADE CRITERIA

    Letter grades will be assigned according to the following scale:

    94 - 100

    A

    90 - 93

    A-

    87 - 89

    B+

    84 - 86

    B

    80 - 83

    B-

    77 - 79

    C+

    70 - 76

    C

    60 - 69

    D

    below 60

    F



    SUMMARY OF MECHANICAL ERRORS
    MAJOR ERRORS: ( Five-point deduction for each occurrence)
    • subject/verb disagreement
    • comma splices
    • fragments
    • run-on (fused) sentences
    MINOR ERRORS  (Three-point deduction for each occurrence)
    • shifts in tense, mood, voice, type of discourse
    • misplaced or dangling modifiers
    • incorrect word forms
    • misspelling
    • faulty parallelism
    • mixed and illogical constructions
    • pronoun/antecedent agreement errors and other types of faulty pronoun reference
    • errors in case
    • missing or faulty title
    • wrong word-- but not in reference to style, which emphasizes choosing the "best" word.
    ANNOYANCES  (one-point deduction for each occurrence)
    • faulty capitalization
    • missing or misused apostrophe
    • compound words written separately or two words written as one
    • word omissions
    NOTE: Each time "they're, there, their" OR "your, you're" OR "its, it's" is used incorrectly, one point will be deducted.  For example, do NOT make errors like the following: 

    "Their happy to be here,"
    "Your a very nice person."
    "The dog lost it's bone"

    Usually, the little apostrophe signals a contraction, and contractions usually are not recommended for formal writing.   Avoid contractions, and you may avoid such errors. The apostrophe signals possession in proper nouns, but not in pronouns such as it's.   It's = It is. They're = They are. You're = You are.  As a strategy, PROOFREAD out loud.

    COURSE STATEMENTS

    Assuring Academic Integrity

    Academic integrity is the pursuit of scholarly activity in an open, honest and responsible manner. Academic integrity is a basic guiding principle for all academic activity at The Pennsylvania State University, and all members of the University community are expected to act in accordance with this principle. Consistent with this expectation, the University's Code of Conduct states that all students should act with personal integrity, respect other students' dignity, rights and property, and help create and maintain an environment in which all can succeed through the fruits of their efforts.

    Academic integrity includes a commitment not to engage in or tolerate acts of falsification, misrepresentation or deception. Such acts of dishonesty violate the fundamental ethical principles of the University community and compromise the worth of work completed by others.

    Avoiding Plagiarism
    Plagiarism means using the exact words, opinions, or factual information from another source without giving that source credit. Writers give credit through the use of accepted documentation styles, such as parenthetical citation, footnotes, or end notes; a simple listing of books, articles, and websites is not sufficient. Plagiarism is the equivalent of intellectual robbery and cannot be tolerated in an academic setting.

    Student writers are often confused as to what should be cited. Some think that only direct quotations need to be credited. While direct quotations do need citations, so do paraphrases and summaries of opinions or factual information formerly unknown to the writers or which the writers did not discover themselves. Exceptions to this include factual information which can be obtained from a variety of sources, the writers' own insights or findings from their own field research, (what has been called common knowledge). What constitutes common knowledge can sometimes be precarious; what is common knowledge for one audience may not be so for another. In such situations, it is helpful to keep the reader in mind and to think of citations as being "reader friendly." In other words, writers provide a citation for any piece of information that they think their readers might want to investigate further. Not only is this attitude considerate of readers, it will almost certainly ensure that writers will not be guilty of plagiarism.

     The University's statement on Academic Integrity is available at the following site: http://www.psu.edu/dept/oue/aappm/G-9.html


    Finding Assistance

    1. Ask questions in class
    2. Ask other students before or after class
    3. Visit the Nittany Success Center in MAIN 108
    4. E-mail questions to me: sls63@psu.edu
    5. Visit me in my office during office hours (219 ISTC)
    6. Schedule an appointment with me (sls63@psu.edu, 771-4156)

    Assuring Classroom Decorum

    Cell phones should not be on in class.  When class is in session, please turn cell phones off or on vibrate, so ringing does not interrupt class time.  Ringing, beeping, or any other disturbance results in a tardy, and two tardies are the equivalence of an absence.  A tardy also occurs when you disturb class time by arriving more than fifteen minutes after the beginning of class OR LEAVE EARLY without prior approval.  One absence (or two tardies) will be excused.  Be respectful of other students and their learning opportunities by containing all distractions.


    Respecting Diverse Abilities

    Penn State is committed to providing access to a quality education for all students, including those with documented disabilities. If a student has a disability and wishes an accommodation for a course, it is the student's responsibility to obtain a University letter confirming the disability and
    suggesting appropriate accommodation. This letter can be requested from the York campus Disability Contact Liaisons, Dr. Sharon Christ, Student Affairs (ALL); Dr. Cora Dzubak, learning Center (LEARNING); and Todd Eicker, Admissions (PHYSICAL).

    Students are encouraged to request accommodation early in the semester so that, once identified, reasonable accommodation can be implemented in a timely manner.


    Rolling with the Punches

    When circumstances warrant change, this syllabus is subject to revision by the instructor.

    Staton-Taiwo/Fall 2008


    ASSIGNMENT DETAILS

    Attendance Points  ~~ 10%

    WHEN:  Your presence presentation  is based on your attendance and is due each class period. If you're not there, you can't share.  Missed days beyond one day can be made up by checking out the class notebook during office hours and/or contacting a student in reference to missed notes and content.  Once a journal entry is completed to make up the missed day, up to the point missed could be credited back to your grade.  In a well-developed paragraph, summarize the day of class that you missed:  What was covered, what was done, what you learned, etc.
     
    WHAT:  
    Receive credit for your presentation of yourself in class.  This means that each absence up to ten could result in a 1 point loss off of your final 10 point grade for the attendance part of the grade. 

    HOW:  Each absence will result in a reduction of the presence presentation grade.   More than ten absences will result in a 0 for the atttendance part of the presence presentation, with each absence reducing the attendance part of the presentation by one point
    .  One absence will be excused, and the student with one absence will earn the full ten points of the attendance part of the grade.  The student with perfect attendance, however, will earn extra credit--11 points (or 110%) for the attendance part of the presence presentation grade.  

    GRADING:  Perfect attendance will yield an attendance score of 110%.  One absence will be excused; thus, one absence will yield an attendance score of 100%.   Each absence after one will reduce the score by ten percent, which would be one point off of the total ten points.  If a student has five absences, the attendance part of the grade will be 60, with one absence being excused.   If a student has ten absences, the final attendance grade will be 10 out of 100, or one out of the ten points.  


    Participation & Reflection Points ~~ 10%

    WHEN:  Each class period provides opportunities for participation.  Each reading assignment provides opportunities for reflection.  Participate at least once a week and record at least ten weeks of your participation in your ANGEL online participation journal, either before or after the fact.  You also need to record at least ten instances of reading reflections, no more than two per week, for a total of twenty journal entries of participation AS WELL AS reflection.  I will check journals weekly and will record appropriate credit periodically throughout the semester.  

    WHAT: Keep a participation journal that records accurate participation and that reminds this instructor that you contributed throughout the semester.  
    For shy students, a participation journal entry can also project meaningful thoughts about current readings that I could possibly contribute for the "shy" student.  Like projected participation entries, reflection journal entries would reflect on the readings but should NEVER repeat the thought or writing of the optional poetry journal entry or of the projected participation entry.
      

    HOW:  Using the ANGEL drop box, record your entry in the "remarks" section.  Attachments are NOT recommended for this assignment.  Record your participation, because this instructor has many students and may not remember each student's individual contribution.  
    Therefore, remind me in the journal.  Also record your reflections on some readings, because this instructor wants to know what you think about what you have read.  Throughout the semester, your participation and reflections will be remembered and appreciated and will contribute to your final grade at the end of the semester.  If you are not able to attend a class, you are free to write in your journal about the reading BEFORE the reading is discussed in class and submit it as a reflection.

    GRADING:   Each participation entry is worth ten points and is scored  based on the following scale:
     

    • A (9 or 10 out of 10 points)= actively engaged in the class and able to ask questions or give answers that show insight and appreciation;

    • B (8 out of 10 points)= answered questions

    • C (7 out of 10 points)=  present with book, prepared, and basically attentive;

    • D (6 out of 10 points)=  late, or present but without book, or answers show that the reading hasn't been done;

    • F (0 out of 10 points)=  absent.  

    You can NOT wait to record journal entries all at once.  You are likely NOT to remember what you did or said, and the whole purpose of the participation journal would be defeated.  You only need to record for ten of the fifteen weeks to complete the ten entries, BUT no one week should include more than two entries.  IN OTHER WORDS, you cannot  submit a deluge of entries toward the end of the semester.  I will only record grades for the first two and/or your preferred two entries per week.

    SAMPLE ENTRY:  Participation during a student presentation
    Today during class Mr. Eric recited a song entitled "Dear Mama" by Tupac which he deemed to be spoken word poetry because it fit the three main criteria of that type of poetry: rhythm, rhyme, and repetition. He then inquired if anyone in the class had agreed with him. I raised my hand asking what the three criteria were and then i stated that the song he recited emcompassed all three of the criteria into how it was written. Eric made a good point in saying that some rap songs are forms of spoken word poetry. He stated that if the words over-power the beat or music of the song then it should be considered a spoken word poem. In spoken word poetry, the words are the key into understanding what is being said. The same goes for rap music. Many artists take pride in thier lyrics and have things to say. They put words to a beat in order to make a song. But in order to have thier words heard in the manner they want, they need to make the beat/music inferior to the words. I agree that "Dear Mama" is a spoken word poem in the form of a song like Eric said. Tupac wanted his mother to know how much she was appreciated and he put all those thoughts into lyrics that meshed with music.  The music did not interfere with the words being clearly heard so I think he was able to get the point across to his mother- the intended listener. Many rap artists simply make up silly lines and their words are all over the place making the song nonsense; the beat however, is what keeps the audience hooked. That is why most rap songs are constantly replayed over the radio stations all day. Good beats sell in rap music-- not good lyrics. However, good lyrics can also sell in the rap world if they are mixed with a catchy beat. Hip hop is a realm of beats. If you can dance to the beat of a song in hip hop it will be a good seller and people will want to hear it over and over again because it gets you moving and dancing.  "Dear Mama" is a great example of spoken word in rap music.


    *Quizzes ~~ 20%

    WHEN: Pop quizzes will be given either at the very beginning or at the very end of class.  An attempt will be made to provide at least one pop quiz per week.  Some quizzes will be opportunities to express your opinion and not just your knowledge about the course and or any material covered.

    WHAT:
     Pop quizzes are opportunities for you to show what you know.

    HOW:  If a pop quiz is given at the beginning of class, it will be given during the first ten or fifteen minutes of class and will be based on information from a previous class period and/or reading.  If a pop quiz is given at the end of class, it will be given during the last ten or fifteen minutes of class and will be based either on material discussed during that class period or will be an opportunity for students to express for credit any concerns that they may have about the class and/or the material.

    GRADING:   At least ten quizzes will be given, and the highest ten grades will count.  If a student is able to take more than ten quizzes, the lowest pop quiz grades beyond the ten will be dropped.  If a student takes less than ten pop quizzes, a grade of 0 will be given for each quiz less than the ten quizzes required for a grade.

    Poetry Response Journal ~~ 10%

    WHEN: The poetry response journal  will be due throughout the semester, no more than two poems in any given week.  You can NOT wait until the end of the semester to pile up on responses.

    WHAT:
     The poetry response journal  will be a way to keep poetry in the program and part of the class mindset.

    HOW:  Poetry will be discussed on various Thursdays throughout the semester--see the details for poetry presentation/recitation for specific dates.  Also, the entire week prior to the last week of class will also be devoted to poetry.  Respond to ten different poems/poets throughout the semester.  Submit a total of ten journal entries, typed and submitted via ANGEL.  Submit no more than two entries in any given week--each in a half page, if single spaced, or a whole page, if double-spaced.  I recommend composing the entry in a document file FIRST and then copy and paste to the ANGEL remarks box.  I prefer the remarks box over attaching.  If you do attach the entry, I have to spend extra time copying and pasting your entry for you, into the remarks box.    

    GRADING:   Each journal entry is worth ten points and is scored  based on the following scale: 

    • A (9 or 10 out of 10 points)= Entry shows insight that rivals publishable thoughts--has that "ah ha" moment of Eureka bliss;

    • B (8 out of 10 points)= Entry shows an understanding of the poem at an above superficial level, beyond stating what the poem is about

    • C (7 out of 10 points)=  An attempt is made to explain  the meaning of the poem;

    • D (1-6 out of 10 points)=  Entry is NOT a fully-developed thought and only provides a superficial discussion of the poem;

    • F (0 out of 10 points)=  Entry missing.  

    You can NOT wait to record journal entries all at once.  You are likely NOT to remember what you did or said, and the whole purpose of the participation journal would be defeated.  You only need to record for ten of the fifteen weeks to complete the ten entries, BUT no one week should include more than two entries.  IN OTHER WORDS, you cannot  submit a deluge of entries toward the end of the semester.  I will only record grades for the first two and/or your preferred two entries per week.

    Critical Analysis Paper  ~~ 20%

    WHEN:  As noted on the course schedule, the critical analysis  paper will be due by midnight on either of the following dates:  March 5, 2009 OR April 30, 2009. 
     
    WHAT:  
    The critical analysis paper will be your opportunity to complete a critical analysis of a topic from either the first half or the second half of the semester.  If a topic is chosen from the first half of the semester, the paper will be due by March 5, 2009, right before Spring Break.  If a topic is chosen from the second half of the semester, the paper will be due by April 30, 2009, right at the end of the semester.  

    HOW:  At the beginning of the semester, decide WHICH topic you plan to analyze
    .  Your goal would be to know the readings surrounding the topic.  You will be required to support your analysis with biblical scriptureAS WELL AS some other source.  That other source could be either your class text or a trustworthy source through either the Penn State LIAS database of peer-reviewed journals and/or some other biblical authority.
     
    GRADING:  Grading for your critical analysis  paper  will  be based on five areas, each worth 20% (or twenty points out of the total 100).  The five areas are as follows:

    • 1) Focus:  Do you have a clear, central thesis and purpose and do you address all aspects of the thesis?
    • 2) Content:  Do you provide good background information and use a comprehensive approach, excellent insight into the topic, evidence of strong, reflective analysis, and keen awareness of audience?  Do you answer the relevant question in reference to expected criteria?
    • 3) Support:  Do you provide excellent support drawn from your experience, knowledge, and/or research?  Do you use examples to enhance and deepen the focus of the thesis?  
    • 4) Organization and Structure:  Do you have clear, logical progression of ideas?  Does your paper contain a clear, engaging introduction that previews the paper's main argument and does your paper have coherent, well-developed paragraphs and transitional phrases?  Does your paper contain a strong conclusion, which draws together and summarizes your main points?  
    • 5) Written Quality & Mechanics:  Do you use college-level vocabulary that varies sentences and wording?  Do you use vivid examples and employ a strong, consistent voice?  Do you have excellent grammar, spelling, usage, and punctuation?  Does your paper flow effortlessly?


    Character Analysis ~~ 10%

    WHEN:  As noted on the course schedule, the chaacter analysis will be due prior to the initial discussion of any character.  .
     
    WHAT:  
    Charactors for potential analysis could include any of the characters listed throughout the course syllabus.   

    HOW:  Throughout the semester, you will have the opportunity to read read various stories throughout the Bible.  This optional character analysis  paper will give you the opportunity to contribute in a major way in helping your classmates understand a character and his or her possible motivations.  For each class day, we will discuss and read about various characters.  In most cases, I will provide information on the character in reference to the work read.  However, I value the input of students and welcome any student who chooses to present an analysis in my stead.  The 1-2 page analysis will be due in the ANGEL dropbox by midnight after the day the character is discussed.  HOWEVER, you will also be expected to present a brief synopsis of the character (3-5 minutes), with your explanation of the type of character you chose (static, dynamic, or even historical).  You will present on a day the character is being discussed in class, prior to the submission of the actual paper.  The presentation should provide feedback for you in your final editing of the paper. 
       
    GRADING:  The presentation part of the paper will factor in up to 20% of your grade, for a maximum grade of 100 points (80 for the paper and 20 for the presentation).  As with most forms of oral communication, you are expected to use good oral communication skills; if you use visual aids, they should be used appropriately, and you should maximize your use of posture, gestures, eye contact, and emphasis.  You should plan to speak from 3-5 minutes, which would include any introductory, supporting, or concluding thoughts and/or props.  The essay, like most essays, will be graded based on the following five components::

    • 1) Focus:  Do you have a clear, central thesis and purpose and do you address all aspects of the thesis?
    • 2) Content:  Do you provide good background information and use a comprehensive approach, excellent insight into the topic, evidence of strong, reflective analysis, and keen awareness of audience?  
    • 3) Support:  Do you provide excellent support drawn from your experience, knowledge, and/or research?  Do you use examples to enhance and deepen the focus of the thesis?  
    • 4) Organization and Structure:  Do you have clear, logical progression of ideas?  Does your paper contain a clear, engaging introduction that previews the paper's main argument and does your paper have coherent, well-developed paragraphs and transitional phrases?  Does your paper contain a strong conclusion, which draws together and summarizes your main points?  
    • 5) Written Quality & Mechanics:  Do you use college-level vocabulary that varies sentences and wording?  Do you use vivid examples and employ a strong, consistent voice?  Do you have excellent grammar, spelling, usage, and punctuation?  Does your paper flow effortlessly?

        

    Mid-Term & Final Essay Exams  ~~ 10% (EACH) for a TOTAL of 20% 

    WHEN: As noted on the course schedule, the mid-term essay exam will be due by March 5, 2009 and the end-term essay exam will be due by the designated exam day in May of 2009.

    WHAT:
     Material covered in the class will be reviewed in two segments:  mid-term and end term.  Both essay exams will include a multiple-choice matching segment that covers topic vocabulary throughout the semester.  The mid-term exam will include the first half of the semester's topics, up to February 26, 2009, and the end-term will include the last half of the semester's topics, from March 3, 2009, befoer spring break, to April 30, 2009, the last day of class.  In addition to the multiple-choice matching part of the essay exam, an essay, of course, will also be required.  The essay part of the exam will be your well-composed answer/resolution to one of three to four optional prompts.      

    HOW:  Both the multiple-choice/ matching and the essay parts of the exam will be completed separately and graded separately.  Both parts will be available via ANGEL during a designated period of time.  Students will have about a week to complete both parts of each exam.   
       
    GRADING:  The multiple-choice/ matching part of the exam will be graded by ANGEL, and a grade will be awarded as soon as this part of the exam is completed.  To ensure accuracy and fairness, I will double-check any answers and make any necessary changes to scores.  The essay part of the exam will be completed separately and will be graded manually.  Both parts will then be averaged together, with the essay part of the exam being worth two parts to the multiple-choice-matching one part.  In other words, the essay part of the exam will be worth twice the amount of the multiple-choice/matching part of the exam.  The essay part of the exam will be graded based on the following five areas:

    • 1) Focus:  Do you have a clear, central thesis and purpose and do you address all aspects of the thesis?
    • 2) Content:  Do you provide good background information and use a comprehensive approach, excellent insight into the topic, evidence of strong, reflective analysis, and keen awareness of audience?  Do you answer the relevant question in reference to expected criteria?
    • 3) Support:  Do you provide excellent support drawn from your experience, knowledge, and/or research?  Do you use examples to enhance and deepen the focus of the thesis?  
    • 4) Organization and Structure:  Do you have clear, logical progression of ideas?  Does your paper contain a clear, engaging introduction that previews the paper's main argument and does your paper have coherent, well-developed paragraphs and transitional phrases?  Does your paper contain a strong conclusion, which draws together and summarizes your main points?  
    • 5) Written Quality & Mechanics:  Do you use college-level vocabulary that varies sentences and wording?  Do you use vivid examples and employ a strong, consistent voice?  Do you have excellent grammar, spelling, usage, and punctuation?  Does your paper flow effortlessly?

       

      Terms & Topic Presentation ~~ 10%  

      


    WHEN:  Each class period provides opportunities for leadership.  Every class day, except the week of the mid-term and the last two weeks of school, offers opportunities for a topic presentation.

    WHAT:
    For each class day, we will feature different terms and topics, topics that will be covered on the mid-term or final exam.  In most cases, I will provide a discussion of the topic in reference to the work written.  However, because I value the input of students and want students to lead the discussion in my stead, group topic presentations are a better alternative.  
      

    HOW:  Write a 1-2 page paper that defines the topics and terms for the day AND that explains how the term(s) does or does NOT reflect the reading for the day.  The short paper would be due after the presentation, by midnight, and would be worth 80% (8 points).  The presentation would account for the other 20% (2 points).  
    You will present on a day the topic or term is being discussed in class, prior to the submission of the actual paper.  The presentation should provide feedback for you in your final editing of the paper. 

    GRADING:   Grading for the paper part of the project will be graded using the same criteria as any other written paper in class.  Length as well as depth factors into the content grade. 

    The grading criteria for oral presentations will also be based on five areas, with each area weighing 20% of the grade:

    • 1) Organization:  You should present information in a well-organized and interesting manner, you should focus on a central idea or narrowed aspect of your research, your speech should flow well, and you should build to a strong conclusion.  
    • 2) Active Involvement:  You should actively involve the class through use of props, learning exercises, handouts, and other techniques.  Through your presentation, you should creatively teach an aspect of your research.  
    • 3) Content:  You should demonstrate superb knowledge and understanding of the topic, you should support your ideas with vivid examples and details and you should make relevant connections for your audience.
    • 4) Voice:  You should demonstrate great enthusiasm for the topic, speak clearly and loudly enough to be understood easily, and you should vary your tone and pitch for animated speaking style.  
    • 5) Body Language:  You should make effective eye contact with the whole audience throughout the presentation, and you should use gestures and body language to emphasize certain points.

       

       

    Recitation Presentation of Psalm or Song ~~ 10%

    WHEN: Students sign up for presentations on any day that a desired Psalm or song is being discussed.  Psalms are discussed throughout the semester.  The psalm or song must be between at least 50 or 100 or more words and should be memorized.  Not memorizing the poem or song would result in a grade deduction of two (2) letter grades.  In other words, the highest score you could make on a psalm or song not memorized would be 80, which means you would probably earn a C or below.   Some popular psalms are listed below: 

    • Psalms 1, 3, 8, 14, 19, 22, 23, 24, 42, 46, 74, 84, 110, 121, 127, 137, 146-150

    WHAT:  You could choose to either read or recite a psalm or song and then situate it in either the biblical or the contemporary era.   How does the structure and/or content fit in with or deviate from the norm?  You may post on the appropriate discussion board your preferred presentation date, and you may or may not get that date, depending on how many request that particular date and/or how many post the request BEFORE you.  Dates will be assigned on a first-come, first-served basis.  A maximum of two students can present on any given day.  Any Psalm or Psalm discussed during the first half of the semester can be recited during the first half of the semester, and any Psalm discussed during the second half of the semester can be discussed during the second half of the semester--as we determined in class on February 3, 2009.  THEREFORE, if you have a preference, choose quickly.

    HOW:  The format of your paper should follow the guidelines for a well-developed composition, such as the one described for the critical analysis paper or the character analysis.  The format of your presentation should follow the conventions of a well-developed paper, with an introduction to the presentation, the presentation, and then a conclusion to your presentation. Your oral presentation should be between three and five minutes.  You will present on a day that you choose, but choices are divided by semester, and you will present prior to the submission of the actual paper.  The presentation should provide feedback for you in your final editing of the paper. 

    GRADING:   Grading for the paper part of the project will be graded using the same criteria as any other written paper in class.  Length as well as depth factors into the content grade. 

    The grading criteria for oral presentations will also be based on five areas, with each area weighing 20% of the grade:

    • 1) Organization:  You should present information in a well-organized and interesting manner, you should focus on a central idea or narrowed aspect of your research, your speech should flow well, and you should build to a strong conclusion.  
    • 2) Active Involvement:  You should actively involve the class through use of props, learning exercises, handouts, and other techniques.  Through your presentation, you should creatively teach an aspect of your research.  
    • 3) Content:  You should demonstrate superb knowledge and understanding of the topic, you should support your ideas with vivid examples and details and you should make relevant connections for your audience.
    • 4) Voice:  You should demonstrate great enthusiasm for the topic, speak clearly and loudly enough to be understood easily, and you should vary your tone and pitch for animated speaking style.  
    • 5) Body Language:  You should make effective eye contact with the whole audience throughout the presentation, and you should use gestures and body language to emphasize certain points.

    Last updated February 12, 2009