Karen Keifer-Boyd, Ph.D.

Dr. Karen Keifer-Boyd is professor of art education in the School of Visual Arts at Penn State University, and affiliate professor in Women's Studies. Her grant supported research focuses on strategies for teaching critical inquiry and creative approaches with dynamic interactive technologies. Karen's critically-oriented work problematizes cultural inscriptions, seeks social transformation, and practices critical self-reflexivity. Engaged in feminist theory and methodologies she creates virtual spaces to raise issues of representation, identity, and politics of display.

Publications on politics of display, virtual museums, and uses of technology for multivocal art interpretations led to invitations to serve as visual arts and technology consultant to the Hong Kong Institute of Education (1998) and to Northern Illinois University (1998). In spring 2001, Keifer-Boyd was invited to present "Interactive Aesthetics" at the National Taiwan College of the Arts in Taipei, Taiwan; and "Art & Technology" & "Politics of Display" at Yuan Ze University in Taoyan, Taiwan. In July 2002 she will present, "CYBERFEMINIST HOUSE: (In)Forming Collaborations" at the Third Wave Feminism International Conference at Exeter University, UK. Since the mid 1980s she has presented annually at state and national art education conferences. In October 2000, Keifer-Boyd presented “In.TIME.ations: A Performative Interactive Digital Video Installation” at the International symposium "Performative Sites: Intersecting Art, Technology, and the Body" at Penn State. Her video Lynne Hull: Ecoatonements in West Texas, premiered at Landmark Arts Gallery, Lubbock, TX, in 2000. She is an invited member of the Chi Chapter of Phi Beta Delta (Honor Society for International Scholars) and received a Fulbright Scholar award in 2006 to conduct research on new media art curriculum in Finland and to teach at the University of Art & Design in Helsinki.

Karen rests on an old growth nest on Tamolitch Trail, Oregon, 2000

Keifer-Boyd's writings on politics of display, virtual museums, ecofeminist art, community-based art, and uses of technology for multivocal art interpretations have appeared in publications such as Journal of Social Theory in Art Education, Journal of Art Education, Art and Academe, Studies in Art Education, Visual Arts Research, and as chapters in several books. She co-edited Real-World Readings in Art Education: Things Your Professors Never Told You (2000, Falmer), an anthology of art teaching experiences that protest, break, ignore, or rewrite art education. She also has served as editor of The Journal of Social Theory in Art Education (1996 & 1997), Visual Arts Research (2004-2005), co-editor of Visual Culture & Gender, and has served as Coordinator of the National Art Education Association's Caucus on Social Theory and Art Education (1999-2001).

Wth over two decades experience as an arts program director, Keifer-Boyd was honored with the Arts Administrator of the Year National Art Education Award for the Pacific Region in 1994; and the Texas Outstanding Art Educator Higher Ed Award in 2001. In 2005 she was honored with the National Art Education Association Women’s Caucus Teaching Award.

Karen presented “Inclusion Policy & Practices” in March 2002 at the National Art Education Association annual conference based on a program she co-developed as a practicum teaching experience on how to include students experiencing moderate to severe disabilities in the regular art class. This preservice preparation, Karen believes, will lessen future resistance to working with students with differences and foster an inclusive art classroom community.

Last modified: 2006