Shock Music Carnival, the most transgressive White artists and bands increasingly making it into the mainstream, and their dis-alienating subcultures (e.g., Eminem, Marilyn Manson, Kid Rock, Limp Bizkit, Slipknot, Cradle of Filth, Insane Clown Posse, Mindless Self Indulgence, GWAR...)
Heavy Metal Music and Its Cultures, from ‘F*** the Mainstream Music’ in the (Commercialized) Mainstream to the ‘High Underground’
Subculture in Popular Culture/Consumer Culture, and the Commodification of Dissent (goths, juggalos, brats, “wiggers,” pretender gutter punks, haters, maggots, slaves, cholitas, emos, 420...)